For those who've only seen her on TV or film, who would think of her in the naturalistic tradition, they will find that she has available to her the grand manner. And I would see her great achievement in this role is to humanize this grand mannerActress Mirren set to return to the stage Sep 13, 2009
Nicholas Robert Hytner (born 7 May 1956) is an English film and theatre producer and director, regarded by some as one of the most prolific and accomplished of his generation on either side of the Atlantic. He has been the artistic director of London's National Theatre since 2003, a position which in the theatrical climate of the early twenty-first century offers unrivalled influence over the contemporary stage.
Hytner was born in Manchester to a Jewish family, the son of barrister, Benet, QC, and Joyce Hytner. He attended Manchester Grammar School and read English at Trinity Hall, Cambridge. In the early 1980s he worked at Exeter University's Northcotte Theatre, and in the theatre department. He later became an Associate Director at Manchester's Royal Exchange Theatre, where he worked between 1985 and 1989. Hytner first found himself working regularly at the National Theatre in London between 1989 and 1997.
Hytner's directorial work for theatre includes The Country Wife, Edward II, Don Carlos, Ghetto, Miss Saigon, Orpheus Descending, a 2-part adaptation of Philip Pullman's His Dark Materials trilogy, Alan Bennett's The History Boys, Rodgers and Hammerstein's Carousel (1992), Southwark Fair and The Alchemist, Measure for Measure (1987), The Tempest (1988) and King Lear (1990), The Recruiting Officer by George Farquhar (1992), The Cripple of Inishmaan by Martin McDonagh (1997), The Winter's Tale (2001), Mother Clap's Molly House by Mark Ravenhill (2001) and Henry V (play) (2003).