Mona Lisa (also known as La Gioconda or La Joconde) is a 16th century portrait painted in oil on a poplar panel by Leonardo da Vinci during the Italian Renaissance. The work is owned by the Government of France and is on the wall in the Louvre in Paris, France with the title Portrait of Lisa Gherardini, wife of Francesco del Giocondo. It is perhaps the most famous and iconic painting in the world.

The painting is a half-length portrait and depicts a woman whose facial expression is often described as enigmatic. The ambiguity of the sitter's expression, the monumentality of the half-figure composition, and the subtle modeling of forms and atmospheric illusionism were novel qualities that have contributed to the painting's continuing fascination. It is probably the most famous painting that has ever been stolen from the Louvre and recovered. Few other works of art have been subject to as much scrutiny, study, mythologizing, and parody. A charcoal and graphite study of the Mona Lisa attributed to Leonardo is in the Hyde Collection, in Glens Falls, NY.

Da Vinci began painting the Mona Lisa in 1503, during the Italian Renaissance and, according to Vasari, "after he had lingered over it four years, left it unfinished…." He is thought to have continued to work on it for three years after he moved to France and to have finished it shortly before he died in 1519. Da Vinci took the painting from Italy to France in 1516 when King François I invited the painter to work at the Clos Lucé near the king's castle in Amboise. Most likely through the heirs of da Vinci's assistant Salai, the king bought the painting for 4,000 écus and kept it at Château Fontainebleau, where it remained until given to Louis XIV. Louis XIV moved the painting to the Palace of Versailles. After the French Revolution, it was moved to the Louvre. Napoleon I had it moved to his bedroom in the Tuileries Palace; later it was returned to the Louvre. During the Franco-Prussian War (1870–1871) it was moved from the Louvre to a hiding place elsewhere in France.

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