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Jazz pianist Dave Brubeck premieres his To Hope: A Mass for a New Decade
Jazz pianist Dave Brubeck and his quartet under the direction of Alexander Peloquin and his chorale played to the attendance of the National Association of pastoral Musicians late April 24, 1980 in the Providence Cathedral of Saints Peter and Paul. The performance was the premiere of Dave Brubeck’s “To Hope: A Mass for a New Decade.” Brubeck’s new Mass – interpolated improvisations—mixed with more formal music to provide a revitalization of church music. (UPI Photo/Anestis Diakopoulos/Files)
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The Dave Brubeck Quartet was a jazz quartet, founded in 1951 by Dave Brubeck and featuring Paul Desmond on saxophone and Brubeck on piano. They took up a long residency at San Francisco's Blackhawk nightclub and gained great popularity touring college campuses, releasing a series of albums with such titles as Jazz at Oberlin, Jazz Goes to College, and Jazz Goes to Junior College.

By 1958, after a handful of different drummers and bassists, the "Classic Quartet" — so-called because it remained as such virtually consistently until the group dissolved — had been assembled; consisting of Brubeck, Desmond, Joe Morello on drums, and Eugene Wright on bass. In 1959, the Dave Brubeck Quartet released Time Out, an album their label was enthusiastic about but nonetheless hesitant to release. The album contained all original compositions, almost none of which were in common time. Nonetheless, on the strength of these unusual time signatures (the album included "Take Five", "Blue Rondo à la Turk", and "Pick Up Sticks"), it quickly went platinum. The quartet followed up its success with several more albums in the same vein, including Time Further Out (1961), Countdown: Time in Outer Space, Time Changes, and Time In. These albums were also known for using contemporary paintings as cover art, featuring the work of Neil Fujita on Time Out, Joan Miró on Time Further Out, Franz Kline on Time in Outer Space, and Sam Francis on Time Changes. No artist work, however, was featured on the cover of Time In. A high point for the group was their classic 1963 live album At Carnegie Hall, described by critic Richard Palmer as "arguably Dave Brubeck's greatest concert".

The Dave Brubeck Quartet broke up in 1967, except for a 25th anniversary reunion in 1976.

This article is licensed under the GNU Free Documentation License.
It uses material from the Wikipedia article "Dave Brubeck Quartet."
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